Here’s my fiction that came out in 2018 (with helpful information on the categories they’d go in, should anyone want to nominate them for anything):
“Prophet of the Roads,” which appeared in the Infinity’s End anthology (edited by Jonathan Strahan), July 2018. If you squint, this might be a far-far-far-future sequel to “Cat Pictures Please.” This is a short story.
Field Biology of the Wee Fairies, which appeared in Apex, September 2018. There’s also an interview with me about the story in which you can see some photos of the protagonist, who is based on my mother. This is a short story.
The Thing About Ghost Stories, Uncanny, November/December 2018. This story was also featured on their podcast, which includes an interview with me. This is a novelette, barely.
In 2019, look for my YA novel, Catfishing on Catnet, which will be coming out from Tor Teen in November! (You’ll see the cover, an excerpt, outtakes, and the all-important pre-ordering link as those become available this year, don’t worry.) This book includes one of my absolute favorite scenes I have ever written, in which the AI protagonist of “Cat Pictures Please” teaches a high school sex ed class.
Over on Twitter, I saw this insightful observation:
She is not wrong. There’s a lot of writing advice that focuses on, “shut off the inner critic, just write, you can fix it in editing” and a lot less advice on editing. I think about editing pretty consciously both because I work on my own stories, and because I’m in a critique group (I’ve been in this group for over twenty years) and so I think a lot about story structure and what my colleagues are trying to do with their stories so I can help them do it better.
I responded with a Twitter thread, but my friend Magenta nagged me to turn it into a proper blog post, so okay. Here’s an essay with my insights on how to edit your story, now that you’ve followed Anne Lamott’s classic advice and written a shitty first draft, which you are now trying to fix.
(I know basically nothing about editing magazines or books. I have never worked as an editor professionally. This isn’t about that sort of editing; this is about taking a draft, something that’s truly not ready for the light of day, and turning it into something you’re sufficiently pleased with to show other people.)