I tend to really resist writing convention reports because if I try to name-check everyone I met, I will inevitably forget someone and then they might swear enmity against me for life and that would make me sad. So I’m just going to say up front that I’m not going to try to name everyone I met.
Tag Archives: Dublin 2019
Trip Report, Part 1: Cork & Killarney
I was up for a Hugo Award this year, which provided us with a stupendous excuse to take a family vacation in Ireland and Iceland. (Icelandair is both a budget airline and clearly an arm of the Icelandic Bureau of Tourism since they let you arrange a multi-day stopover in Iceland at no extra cost, and inundate you with on-board advertisements designed to sell you on the idea. HORSES! NORTHERN LIGHTS! SCENERY!)
We went over about a week before the convention started. Ed and I visited Ireland 20 years ago — before we had kids — and Dublin was our least favorite bit, so we wanted to get out of it as quickly as possible. We took a train to Cork, where we discovered that the guest house I’d booked thinking it was walking distance from the train station was not around the corner from the train station but straight up a cliff. (There were stairs! I do not recommend hauling a bunch of suitcases up four flights of stairs, in the rain, while massively jet-lagged and operating on almost no sleep. Just, I mean, if you were considering it.)
The rest of the trip went quite a bit better.
WorldCon 2019 Schedule
Next month I will be at Dublin 2019: an Irish WorldCon. If we know each other (either in person or online) and you’ll be in Dublin and you’d like to try to meet up, please let me know!
Here’s my official schedule:
Reading: Naomi Kritzer
16 Aug 2019, Friday 20:00 – 20:20, Liffey Room-3 (Readings) (CCD)
Kaffeeklatsch: Naomi Kritzer
17 Aug 2019, Saturday 12:00 – 12:50, Level 3 Foyer (KK/LB) (CCD)
The author as a fellow traveler on the hero’s journey
18 Aug 2019, Sunday 10:30 – 11:20, Odeon 4 (Point Square Dublin)
Many authors, unsurprisingly, form a strong emotional bond with their characters, experiencing the joys and frustrations of the story along with them. How does this affect the writing process itself? What about the impact on the writer’s critical engagement with their own work? How much does an author’s engagement depend on their personality, their approach, or the type of story being written?
Dr Kristina Perez (M), Michael Swanwick, Karen Simpson Nikakis, Naomi Kritzer, Daryl Gregory
Gods, religion and atheism in the genre
18 Aug 2019, Sunday 13:00 – 13:50, Wicklow Hall 2B (CCD)
Gods and religion are often an integral element of SFF worlds; they offer ways to build conflict and to explore alternative philosophical concepts. How have authors tackled the creation and inclusion of religion in their worldbuilding? Is it possible for atheism to exist in worlds where gods literally walk among the people?
Derwin Mak, Dominic Riemenschneider MA, Ehud Maimon, Naomi Kritzer (M), Meg MacDonald